I have lots of superlatives in stock for Tanya Morgans “Brooklynati” that was released back in may. The album is still on iTunes list of the top ten best selling hiphop albums.  Their soulful, positive old school vibe with most of the elements I look for in modern hiphop. “Never enough” features the lovely Carlitta Duran on vocals and got that late summer atmosphere you’d want from a song about unconditional love.

Brooklynati is Tanya Morgan’s third project following the success of “Moonlighting” and “The Bridge”. Since Von Pea, Ilyas, and Don Will formed Tanya Morgan in 2003, they have received high praise. References to artists such as De La Soul and A Tribe Called Quest is very much justified. Based on the fictitious city of Brooklynati, this release pushes the boundaries of a concept album by incorporating not only lyrical imagery but also cultivating a culture and mindset.

Now, to celebrate the album’s success and the release of the trio’s “Never Enough” iTunes single, Tanya Morgan is giving aspiring producers an opportunity to remix the single. Native Instruments, 2dopeboyz, Tanya Morgan, Interdependent Media, Society Original Products, and Audible Treats have joined forces and are proud to present the “Brooklynati’s Got Talent Remix Contest.” After downloading the Acapella of “Never Enough,” featuring Tanya Morgan’s and Carlitta Durand’s vocals, contestants will have two weeks to craft their best beat and submit their remixed version of the song to be judged by Tanya Morgan and their label, Interdependent Media.

You’ll find everything you need to know about the competition HERE!

Listen to the song | Buy the single from iTunes | MySpace | Amazon |

If your new to the Bubblers series, then this will give you a taste of what they are all about. If your a seasoned Bubbler then this mix is sure to push all the right buttons and set you up nicely for BB4.

The Tracklist is as follows:
1. Soundspecies – Can We Call It Love (with Ahu) [BB4]
2. Simbad feat. Steelo – Soul Fever [BB1]
3. Bullion – Get Familiar [BB3]
4. NSM – The Hype [BB2]
5. Katalyst feat. Steve Spacek – How Bout Us [BB3]
6. Cornish Waters feat. Duchess – Walking [BB2]
7. Ayak & First Man – Can We Go Back? [BB1]
8. DJ Day – A Place To Go [BB3]
9. Mayer Hawthorne – Maybe So, Maybe No [BB4]
10. Iman – Who Was I Trying To Fool [BB1]
11. Flying Lotus – Tea Leaf Dancers [BB2]
12. New Look – Everything [BB4]

For me, the label have provided quality from day one, including compilations, singles and albums. If you haven’t checked out the label yet, I suggest you do!

Download the mix HERE

Homecut is the brainchild of Hip-Hop MC/producer Testament. His lyricism, live instrumentation and mix of soul, hip-hop and experimentation recently came to my attention. Four years since the release of his debut single “Come the Revolution” (which I missed), the debut album ”No Freedom Without Sacrifice” just hit the market. 

I always love the sound of organic hiphop, and Homecut get the vibe you know from the soul and jazz orchestration in his productions, and he even performs live as a full seven-piece band.

The first single is “I don’t even know” using the wonderful vocal talents of fellow Leeds resident Corinne Bailey Rae (who also did the vocals on Amp Fiddlers excellent “If I don’t” – remember?) and Soweto Kinch. I love the easy jazz piano, and the sax and clarinets accompanying the slow, yet steady beat. The vocals blend in perfectly, not taking up too much space, yet having a prominent place in arrangement. 

But Homecut have ensembled a cast of contributors that reaches even further. J-Live (BBE), Andreya Triana (Flying Lotus, Bonobo), John Ellis (Cinematic Orchestra), kidkanevil (Stateless) and Ty (Mercury Music Prize Nominee) all play their part on the album. Other tracks that stand out are “Bring it all together”, “Not far to go”, “Breakdown” and “Innovators”. 

“Not far to go” is a varied, yet holistic album that is solidly placed in the UK sound, yet drawing on a wide range of genres. You can say what you want about british hip-hop, but I really respect how the scene has built its own original soundscape, not borrowing too much from the US as many other scenes inevitably do. 

MySpace | Soul Seduction | Play.com | Facebook | Fat City |

Massive rework of Aretha’s classic “One step ahead” by Featurecast! Turning it into a slow, uplifting hiphop anthem for the summer! Of course, the original was also  popularized by its use in Mos Def’s “Ms. Fat Booty” back in 1999.

I’ve been a big fan of Featurecast for some time now, after first picking up “Channel surfing” back in 2004. That release was on the groovy Catskills label and achieved commercial prominence after it was used in the famous iPod silhouette ads.

The other side sees Loot Beggar mash up Amy Winehouse (”love is a loosing game”) and Alton Ellis – and the result is a spaced out reggae interpretation. Half decent, but it is all about Featurecasts work on this release.

I speak highly of the Wah Wah 45s label and its limited pressings on Wah Dubplate. Check out one of last years mashup favourites for me – Marvin’s Holla. 

Wah Wah 45s | MySpace | Fat City | Picadilly Records |

Being on MySpace is all about getting in touch with artists you love and connect with exiting new talent that escapes your radar. Some days ago, The Tones got in touch. The California Bay Area duo provides that soulful, organic and honest vibe that I love in hiphop.

Being compared to the likes of Blackstar, Tribe Called Quest, Slum Village and De La Soul isn’t too far off (I would add Kanye to that as well), but these guys are very much able to claim their own fame. The Tones are rapper and producer Retro, and rapper/singer Suhn. Since the group first formed in 2001, The Tones have toured with the likes of Common, Slum Village, Little Brother, Roots’ drummer QuestLove, and Dr. Cornell West to name a few. 

The five tracks on their MySpace site give you a good feel of the sound on “Dreamtalk”. Quality vocals and good production skills. I could have picked out specific tracks, but this is a really solid album – so I’ll let you choose your own favorites. The album is out on Kero One’s label – Plug – and if you haven’t checked it out yet, you are in for a treat.

MySpace | Amazon | Plug Label |

I was recently reminded of this album when Dobie payed Gilles Peterson a visit in his Brownswood studio to do a podcast.

The debut album from Dobie originally dropped back in 1998, but was re-released in 2005. Most know from his exploits with legendary UK soul outfit Soul2Soul (who I saw live at the Lovebox festival), Dobie has done tons of great stuff through the years, his remixes being legendary. His remix of Bjork (which she re-did the vocals for) sounds fresh even today.

The album is a tale of two genres really – downtempo and dubby hiphop. There are a lot of good tracks on the album. “Coming up for air” is a perfectly orchestrated downtempo classic, where Dobie’s production and the vocal talents of Rassia melts together into a sweet summerly mood. “Way over” is down the same route only instrumental, and then there is the brilliant “Cloud 98 3/4″ where Ninety 9 provides the vocals. Massive tune. And dont miss out on “Lovesong” either, vocals by Helena Paul.

Juno Download | Last FM |

There is usually a few albums that stand out of the pile of records and end up being the soundtrack of the summer. Albums by Just Jack and Plantlife have previously created the perfect summer vibe for me. This year it will be Kero One. 

“Early believers” creates a joyful spirit of optimism. Hip-hop, jazz and soul perfectly blended together in well balanced arrangements, with strong lyrics sung by great vocalists such as personal favorites Ben Westbeech and Tuomo. 

The soundscape is truely organic – honest, personal stories accompanied by fender rhodes, beats, strings and acoustic guitars that gives the sound a live presence. You get that feel good vibe of an intimate concert for just you and your best friends barbecuing on a blanket in the park. My favorite is “When the sunshine comes” one of many examples of how Kero One captures this atmosphere.

“Early Believers” is the San Fransisco arists second album after “Windmills of the soul” (2005), a release that was successfull first in Japan. And if you are familiar with the new jazz and hip-hop coming from Japan you will easily understand why Kero One struck a chord with that audience. “Windmills of the soul”  gave him the opportunity to work with Talib Kweli and tour with KRS-One and EPMD.

A true DIY artist that have worked ever so hard to get the recognition his music deserves, both albums have been put out on his own Plug Label imprint. He has got his hands on most elements of the process, including vocals, production and instrumentation, art design, promotion, and web design. The DIY attitude and determination is expressed through the lyrics, exemplified in the words of “Keep Pushin” – And most these critics, That’s dissin’ or said I’m trippin’, Thank you for picking me up, I ain’t quitting or giving it up”. 

As Kero proudly proclaims he’s bringing “hiphop with a signature sound” yet  ” not saying I’m breaking ground”. Critics will point to the lack of hidden themes and literary mechanisms – but I think the straight forward, no nonsense storytelling is portrayed with real charm and character. No hard stereotypical hip-hop clichés about women, money and violence. 

Get yourself a copy!

Kero1.com | MySpace | YouTube | Amazon |

Once known as Platinum Pied Pipers, Waajeed and Saadiq reinvent themselves with more than a name change. On their second album for the magnificent Ubiquity label, the group delivers a contemporary twist of old Motown influences, creating a brilliant and distinct collection of funk and soul. 

While Detroit seems doomed in most of the media due to its dependence of its automobile industry, the motor town’s hip-hop scene has more positive vibes at the moment. 

Wajeed first started producing back in 2000, when he was given a broken piece of equipment by J Dilla, which he was told he could keep if he could fix it. Just years later, he released the seminal Platinum Pied Pipers debut album “Triple P” together with Saadiq back in 2005. The combination of funk, soul, and hiphop struck a chord with audiences worldwide and established the duo as sought after producers, while launching the career of vocalist Tiombe Lockhart. 

The first single, “On a cloud“, is a good starting point when getting to know this album. With organic drums, full band and powerful soul vocals – it could have come straight out of Brighton. Another song I love is “Pigeon hole”, a slow soul number that is perfect for those slow dances. To showcase the albums diversity, I would also like to pull out “Sanctuary”, a song that is along the same the same lines as 4 Hero, with lots of strings and slow beats. ”Abundance” a full package that is organic enough to feel spontaneous, yet sophisticated enough without loosing the over-produced. 

Vocalist Karma Stewart is a new acquaintance, and one I will be keeping tabs on in the time to come. Her vocals are all over this album, and along with Coultrain both vocalists sound truely at home in Wajeed and Saadiq’s productions. The duo has also returned the favor and produced her debut EP (Coultrain have written the lyrics). The 4-track CD was originally sold at PPP shows all across Europe last fall – but now Karma & PPP have decided to give the EP away for free as a preview of both Karma’s upcoming (you get some bonus material as well!).

Ubiquity | MySpace | Juno | Amazon |

I must say I’m usually not into German vocals, but not let that put you off on this one. “Cologne’s Badu” introduces her band the Fleur Earth Experiment with the first single from their 2009 album “Soul des Cabots”. There is a more music from the album on MySpace, and judging by those it is worth checking out.

As the record label says; think Minnie meets Madlib in Cologne and you have a vague idea what Fleur Earth is about. The 7 inch singles main cut, “Zeitleiden”, is soulful and atmospheric, uplifting yet moody, laid on a solid foundation of beats. It released on the German label Melting Pot Music, home to amongst others Lefties Soul Connection, Marc Hype and Jim Dunloop, and Dj Day.

Listen to it on YouTube.

FatCity | Juno Records | TuneTribe | Melting Pot Music | MySpace |

Speech Debelle is definitively one to look out for in 2009! Coming from South London, she has kept the unique british sound. For me it was the wonderful clarinet on top of solid beats that caught my attention – incredibly catchy

Her lyrics are honest, getting to grips with reality without loosing a positive outlook for the future. A sexy modest voice, yet filled with attitude and smarts. Hopefully this young girl will get the same amount of recognition as Lilly Allen got a few years ago, from what I have heard so far the talent is certainly there. The song has got some of that organic old school flavor and is not too far off One Self in its expression (I posted One Self – Bluebird, some time ago). 

Her debut single was “Searching”, a chilled ballade – but “They key” is definitively her best single yet. Her debut album “Speech therapy” is expected on Big Dada in may.

MySpace | SpeechDebelle.com | Big Dada | YouTube |