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Released: 1976/1999/2009

This an absolutely massive cut – so happy you can’t help smiling. From the very start the horns lead you into a cheerful vibe, the chorus just brings you along and then it breaks down into psychedelic rock guitars and classic drumbreaks. Add some sax and you’ve got a feast! What a track to end the night with.

The original was released on Shadybrook Records back in 1976 and was produced by Gene Russell. Cheyenne Fowler is the name of the vocalist and her records also go under the name “Cheyenne”. The track was part of the album “Cheyenne’s coming”  - and judging by the the few cuts I’ve heard from it, it’s a brilliant record. If you have the full album, let me know as I want a copy!

I don’t know whether it also was released as a single back in 1976, but it was re-issued ten years ago as a 7″ vinyl on Dom Servinis excellent label Wah Wah 45s.

However, it was the recent re-release on Black Cat with “Hanson – Take Me To Your Home” on the B-side that brought the song to my attention. “Take me to your home” is a rhodes-driven, psychedelic funk-rock cut from their obscure LP on Emerson, Lake & Palmers’ Manticore label. Sweet downtempo, smokefueled funk for the late hours. Both tracks are quality and obscure, so don’t miss out on this release.

You can get your copies from Fat City, Juno and Phonica.

Listen to “Come back to me on YouTube |

Released 09/09/2009

It is finally here. The hugely anticipated debut album from Mayer Hawthorne and the County. The long player is definitively my number one record of 2009. “A strange arrangement” is packed with classic soul of the finest Motown vintage, only with the magnificent feat of being recorded today.

I first wrote about Mayer back in November last year and have recommended the first two singles – “Just ain’t gonna work out” and “Maybe so, maybe no” –  The first one catching everyones attention with its characteristic red heart-shaped 7″ vinyl. I still can’t speak highly enough of this artist.

Born Andrew Mayer Cohen, Mayer Hawthorne grew up in Ann Arbor, Michigan, just outside of Detroit, and was raised on the rich soul and jazz history the region provided. Curtis Mayfield, Smokey Robinson, Isaac Hayes and others provided the inspired Hawthorne playing instruments from an early age, but he never intended to become a singer. He isn’t formally trained, and never went the traditional route of singing in the church choir. More than anything, it was hip-hop that brought him onto production and dj’ing and that put him in touch with Stones Throw head honcho Peanut Butter Wolf.

The stage name “Mayer Hawthorne” is a combination of Cohen’s real middle name (Mayer) and the name of the street he grew up on in Michigan (Hawthorne Rd). “Mayer Hawthorne and The County” is a name Cohen often uses when performing live or recording as Mayer Hawthorne with other artists. In Cohen’s words, “The County” is basically anyone who plays an instrument or sings on his album.

It is easy to brand the sound “neo-soul” or “retro”. Personally, I think timeless would be a better term. He pays homage to his musical roots, yet clearly establishes his own authentic and personal musical expression. In an interview with L.A. Weekly he recently expressed this intent – “I really wanted to make sure that I put my own stamp on it, and I moved the music forward, and I’m bringing it to a new generation of kids who didn’t grow up on that music, or missed out on it.”

“A strange arrangement” is packed with soul-gems, and it is the strength of the overall package that is most impressive. There are no fillers on the album, the singles are complemented with equally good hits such as personal favorites “The Ills”, “Make her mine”, “One track mind” and the title track. The heart-melting ballads about love won and lost blends well with more uptempo, horn and breaks fueled songs for the dancefloor. The distinctive elements of Motown, such as the orchestration, string and horn sections, tambourines, the interplay between the lead singer and his backing vocalists, and of course foot-slapping drum breaks are all vividly present and arranged perfectly by Hawthorne himself.

MySpace | Spotify | Amazon | iTunes | StonesThrow

Groove Armada have just finished their new album entitled ‘Black Light’. The release isn’t scheduled until February 2010, but to celebrate its completion Andy and Tom have decided to give away the track “Warsaw”.

Yesterday marked the launch the whole album campaign in Warsaw, because the first new track people will hear is called Warsaw. The event held a 70,000 crowd in Warsaw, basically just a massive, free party with an enormous soundsystem. Yesterday, the track also became available for free at Groovearmada.com

I got to hear a version of the song at Lovebox this year, and this album opener featuring on vocals Nick Littlemore from PNAU & the ever so popular Empire of the Sun is marking a really exciting musical direction for the band. It is a very Gary Numan-80s-electro inspired number for the big stage.

There is a lot of exciting collaborations to look forward to – numero uno being Roxy Music’s Bryan Ferry! – but also the likes of Lovefoxx (CSS), Saint Saviour, Jess (She keeps bees), and Ben (Fenech-Soler).

Head over to groovearmada.com to get the free track!

The band just announced that they will be giving the UK its first taste of their all-new Black Light live show, with six dates across in October – with Bristol, Leeds, Edinburgh, London, Birmingham and the wonderful Warehouse Project in Manchester the chosen destinations.

Released: 04/08/2009

I have lots of superlatives in stock for Tanya Morgans “Brooklynati” that was released back in may. The album is still on iTunes list of the top ten best selling hiphop albums.  Their soulful, positive old school vibe with most of the elements I look for in modern hiphop. “Never enough” features the lovely Carlitta Duran on vocals and got that late summer atmosphere you’d want from a song about unconditional love.

Brooklynati is Tanya Morgan’s third project following the success of “Moonlighting” and “The Bridge”. Since Von Pea, Ilyas, and Don Will formed Tanya Morgan in 2003, they have received high praise. References to artists such as De La Soul and A Tribe Called Quest is very much justified. Based on the fictitious city of Brooklynati, this release pushes the boundaries of a concept album by incorporating not only lyrical imagery but also cultivating a culture and mindset.

Now, to celebrate the album’s success and the release of the trio’s “Never Enough” iTunes single, Tanya Morgan is giving aspiring producers an opportunity to remix the single. Native Instruments, 2dopeboyz, Tanya Morgan, Interdependent Media, Society Original Products, and Audible Treats have joined forces and are proud to present the “Brooklynati’s Got Talent Remix Contest.” After downloading the Acapella of “Never Enough,” featuring Tanya Morgan’s and Carlitta Durand’s vocals, contestants will have two weeks to craft their best beat and submit their remixed version of the song to be judged by Tanya Morgan and their label, Interdependent Media.

You’ll find everything you need to know about the competition HERE!

Listen to the song | Buy the single from iTunes | MySpace | Amazon |

To celebrate the release of Brownswood Bubblers 4 on the 24th of August 2009, the lovely people at Brownswood Recordings have put together a special ‘Best Of Bubblers Mixtape’ featuring a selection of some of their favourite tracks from all four Bubblers compilations.

If your new to the Bubblers series, then this will give you a taste of what they are all about. If your a seasoned Bubbler then this mix is sure to push all the right buttons and set you up nicely for BB4.

The Tracklist is as follows:
1. Soundspecies – Can We Call It Love (with Ahu) [BB4]
2. Simbad feat. Steelo – Soul Fever [BB1]
3. Bullion – Get Familiar [BB3]
4. NSM – The Hype [BB2]
5. Katalyst feat. Steve Spacek – How Bout Us [BB3]
6. Cornish Waters feat. Duchess – Walking [BB2]
7. Ayak & First Man – Can We Go Back? [BB1]
8. DJ Day – A Place To Go [BB3]
9. Mayer Hawthorne – Maybe So, Maybe No [BB4]
10. Iman – Who Was I Trying To Fool [BB1]
11. Flying Lotus – Tea Leaf Dancers [BB2]
12. New Look – Everything [BB4]

For me, the label have provided quality from day one, including compilations, singles and albums. If you haven’t checked out the label yet, I suggest you do!

Download the mix HERE

Released: 22/06/2009

It has been a while since my last post, the reason being extensive traveling. Over the past month I have been to London, Ibiza and Barcelona – all providing new musical experiences and inspiration. One tuesday a few weeks ago I went to the Notting Hill Arts Club and Marina and the Diamonds did a live gig at the intimate underground venue. I was unaware of the Welch-born, London-based Marina Diamandis, but the Arts Club is great for both discovering new talent and to hear good djs and electronic artists.

Marina impressed me both with her voice and her presence on stage. The crowd was special as well, made up of a large proportion of her friends. Her voice is distinct and powerful, yet fragile and sweet. Comparisons to Florence and the Machine is not too far off. ”I Am Not A Robot” is the lead track from ‘The Crown Jewels EP’, released through Neon Gold on 22nd June 2009. Check out the video here, and a live BBC recording of “Mowgli’s road” here. After releasing her first single, she has appeared live at Glastonbury and her tour schedule is now filled with both UK and international dates. One to watch!

MySpace | MySpace

U.S. Soul singer Leela James is playing at John Dee in Oslo on sunday. You don’t want to miss out on this one. Check out this YouTube video and you get my point. She has been likened to soul greats such as Aretha Franklin and Chaka Kahn and has released two full length albums, the latest being this years “Let’s do it again”. Leela is more than capable of doing her own shows nowadays, but she has also toured with artists like Macy Gray and the Black Eyed Peas. Collaboration-wise she has people like Kanye West, Wyclef Jean and Raphael Saadiq on her CV. 

Personally, I’m still at Lovebox Weekender in London, so I am a bit bummed about missing out. Especially as she did two shows in London only days before I arrived. Anyway, I would be happy if you attended – it will be a great show. Be sure to tell me all about it afterwards!

There are still tickets left (billettservice), so be quick!

I can’t wait. So many great artists wrapped in the best festival atmosphere I have experienced so far. This will be my third consecutive year in Victoria Park, and this year I am bringing more than a dozen friends over from Oslo to share in the hedonistic indulgence.

For those of you who still haven’t made your mind up, or those of you that need to get into the groove, I have made a Spotify playlist with most of the artists playing over the weekend. It is going to be difficult to listen to everything, but I’ll do my best. 

There are still a few tickets left, so get your act together!

I am looking forward to dj’ing at Hells Kitchen on friday. I’ll bring my usual selection of funk, soul, breaks and disco – a lot of it you should be familiar with if you are a loyal reader of this blog. A lot of good music being released these days, so expect a lot of new gems. Hells Kitchen is a small, old school bar/restaurant with a kick ass Funktion One Soundsystem (can’t wait!).  I’ll be playing from about 2300 until 0300. See you there?

Released: 28/01/2008

I’ll start off by quoting King Britt, as I feel his words neatly express my initial reaction to the album one and a half year ago - ”Just when you think that real voices are gone and replaced by synthesized vocoders or perfectly melodined melodies, comes a real voice. A voice who’s texture, tone and timbre seem to trace the history of real jazz greats. A voice that when you hear it, you know that’s what defines the word voice. Ladies and Gents José James”.  

The soulful warmth and intimate presence is up there with the great Terry Callier, Jon Lucien and Gill Scott-Heron. That is no little feet for an artist that cites John Coltrane, Marvin Gay and Billie Holliday as his musical mentors. So who is José James? He is a talented Brooklyn based Irish/Panamanian jazz singer that blends the sounds of jazz and soul, without being trapped within any artificial genre boundaries. In addition to the debut album, José has also featured on music by artists such as Jazzanova, Flying Lotus, JAM, and Dj Mitsu the Beats and Nicola Conte. José sings as part of a basic quartet made up of him, Nori Ochiai on piano, Alexi David on bass and Steve Lyman on drums, but there are slight variations on different tracks. José produced and arrange most of the compositions himself.

There should be no surprise that José first was picked up by BBC music maestro Gilles Peterson. After establishing his Brownswood Recordings record label back in 2006 he have signed artists such as Ben Westbeech and Elan Mehler. The label was set up with the simple aim of releasing good new music, music with soul – no matter where it’s from or what the style. Easily a value proposition to my liking. Check out Gilles great podcasts (available for free through iTunes) for truly inspirational sessions with musicians or just listening to Gilles digging out music from his collection.

The album starts off with the title track “The Dreamer“. The sensual, powerful, yet subtle trumpet gets the mood just right before José’s warm and rich baritone voice enters the frame. “Velvet” and ”Blackeyed Susan” continues the innocent, sensual atmosphere. Loads of emotions expressed in an fragile and honest manner. Picking out favorites is easy on such a complete and accomplished album, yet I would dedicate a few extra words to his cover of Freestyle Fellowship’s “Parkbench People”. It is accompanied by a great video shot by Josh Rothstein and filmed on location at a homeless shelter in New York.

“Spirits up Above” takes a slightly different angle, using the range of his voice with a more bouncy, tag-along jazz number to revise Rahsaan Roland Kirk’s little known but wonderful composition. The next track is another cover version – this time the theme song from Spike Lee’s She’s Gotta Have it - Bill Lee’s “Nola”. ”Red”, more than the other tracks on the album, pays homage to his hero Coltrane and is more live, experimental. 

“Winter wind” got that lovely acoustic piano accompanied with slow drums and a intimate presence before José’s lovely voice completes the romantisism with a story of lost love and loneliness, a theme that continues into the nostalgic “Desire”. Yet the two closing tracks are filled with a positive message. ”Love” ends the record on the sensual, spiritual note, with a drumbreak that ups the tempo and adds that little extra to the closing number.

The talents of José James should be apparent to every listener – he could easily be one of the greatest of his generation.

MySpace | Brownswood Recordings | Josejames.com |